My compositions are born from images that arise most of the times in an epiphanic way and that refer to a need to return to the origin, to the earth, to the sacred, to the animal... In fact, I can say that I compose rituals to understand the world around me and how the evolution of history has led us to the denaturalization of what we are.
What drives my research is the idea of transferring the logic of the natural landscape to the stage and imagining the rituals that a body can construct while inhabiting that landscape. I extend the study of ritual,not only to its cultural and anthropological origin, but also to the body/flesh that becomes ritual itself.